Description
Bat, 1977
Lithograph 2 chops LEE Little Egypt Enterprises
Signed Staley/Camblin
22 x 30 in. (image)
32.5 x 40.5 x 2 in. (frame)
original, includes certificate of authenticity from ArtTrust
The lithograph “Bat” is from the series Bestiary, a drypoint from Little Egypt Studios. The image of the bat intricately composed of interconnected patterns and textures evokes a blend of natural realism and abstract imagination. The illustration portrays a bat in mid-flight, its wings stretched wide, revealing a tapestry of details that appear as fragments of landscapes, structures, or even a hidden story unfolding within the animal’s anatomy.
The bat, often associated with the unseen and the mysterious, serves as a symbol of embracing the unknown. In Zen philosophy, this represents the acceptance of uncertainty, which is a natural part of life’s flow. The bat’s nocturnal nature aligns with the idea of moving through darkness with a sense of trust in the present moment, embodying the Zen principle of being fully immersed in the “now” without the need for constant clarity.
In the context of the I Ching, the bat’s flight could be likened to the hexagram 29, Kan (The Abysmal), which deals with embracing danger and challenges by remaining open and adaptable. The intricate patterns within the bat suggest navigating complexities by allowing oneself to flow with the ever-changing nature of existence. The depiction encourages looking beyond immediate appearances, understanding the necessity of journeying through the depths to find true understanding and transformation.
This artwork serves as a convergence of various cultural symbols and spiritual meanings. It invites viewers to meditate on the bat’s form, exploring not just its physical representation but also the layers of narrative within its fragmented wings. Each segment can be seen as a piece of the human experience, an echo of individual stories, struggles, and triumphs. The image challenges viewers to see beyond the apparent form, recognizing a deeper interconnectedness between all things.
The composition reflects influences from both traditional naturalist illustration and elements of surrealism. The use of meticulous linework to compose the bat’s body suggests a nod towards classical etching techniques. The way the patterns within the bat’s wings interweave recalls the works of M.C. Escher, who often explored the interplay between reality and illusion. Additionally, the fragmented textures within the illustration can be linked to the style of collage, where disparate elements come together to form a cohesive whole, thus bridging the gap between realism and abstraction.
This piece stands as an invitation to explore the thresholds between the known and the unknown, the real and the imagined, much like the bat itself—a creature of the night, a navigator of the dark.
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From the series Bestiary, a drypoint on Twinrocker handmade paper
1 bob a tirer, 25 artist’s proofs, 1 printer’s proof, 3 LEE proofs, 35 edition
“Bat” was featured in his Yes Retrospective and in Sandra Jensen Rowland’s monograph, Bob Bilyeu Camblin – An Iconoclast in Houston’s Emerging Art Scene.
Reproductions of this drawing are available in multiple sizes!
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This artwork is available with a non-fungible token to ensure traceability and transparency of provenance.
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