Description
Redstick, no date
Acrylic on paper
Unsigned (what’s the reason for this?)
24 x 15 in. (image)
40.75 x 30.75 x 2 in. (frame)
original, includes certificate of authenticity from ArtTrust
The lithograph “Red Stick” depicts a skull, highlighted against a dark background, with a red “X” crossing beneath it. The skull is rendered in a monochromatic style, giving it a stark and haunting quality. The brushwork above the skull suggests a downward motion, possibly representing darkness or decay, enhancing the ominous atmosphere.
In Zen philosophy, the skull can be viewed as a reminder of impermanence and the inevitability of death, prompting contemplation on life’s transience. The red “X” might signify rejection or a crossing out, perhaps suggesting a renunciation of ego or attachment. The image could serve as a meditation tool, inviting viewers to confront the inevitability of death and find liberation from fear.
If we associate this image with the I Ching, the Hexagram “64. Wei Ji – Before Completion” may be fitting. This hexagram indicates that a journey is not yet finished and calls for careful steps to avoid mistakes. The skull and “X” could represent the need to acknowledge dangers or past failures while striving for completion, highlighting a balance between caution and courage.
The artwork can be interpreted as a visual memento mori, reminding viewers of death’s inevitability while encouraging a reflective approach to life. The red “X” reinforces themes of negation or warning, potentially suggesting the rejection of ignorance or the need for a shift in perspective. Altogether, the piece evokes a profound reflection on mortality and the choices that shape our paths.
This composition shares elements with the vanitas tradition in art history, which uses skulls to symbolize the transience of life. The red “X” introduces a modern touch, possibly drawing influence from contemporary art’s bold use of symbols and color to evoke emotion. The image also resonates with works by artists who explore existential themes, such as Edvard Munch’s “The Scream,” which uses dramatic contrasts and unsettling imagery to evoke a sense of dread.
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“Redstick” was featured in his Yes Retrospective and in volume III of the series Bob Camblin N Compleat Workes.
Reproductions of this drawing are available in multiple sizes!
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This artwork is available with a non-fungible token to ensure traceability and transparency of provenance.
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